Tag: NMLRA

  • May 2009 Spring Practice

    May 2009 Spring Practice

    May 2009 Spring Practice

    This video was produced in 2009 but was never uploaded. In doing site maintenance to www.blackpowdermag.com I found it in a different folder. Besides some shots of excellent locks, it shows some of the trials that one goes through to prepare for a video session.

    In preparation for the Spring Shoot with Olympus Industrial, Steve Chapman and I met Grant Ferguson on the NMLRA grounds. We set up equipment behind Gun Makers Hall and tried different exposure settings, camera angles, and experimented with lighting.

    Slow Motion Crew
    Slow Motion Crew L to R: Steve Chapman, Kevin Pletcher, Dave Schnitker, Grant Ferguson (from a later article)

    It was at this point that we made the decision to shoot B&W instead of color. We weighed the advantage of increased definition against the loss of color. Increased definition won.

    When viewing the video you will see the different camera angles and exposure settings as we experimented. This gave us the information we needed to plan for the video we did a month later, during the Spring Shoot.

    We used two large Siler locks for this practice session. The first one viewed is one built by Sam Everly. The lock’s tumbler is supported by tiny two ball bearings. It is an extremely smooth lock and deserves to be mounted on a gun. The video contains 4 tries, the first with Goex cannon grade powder just for fun. The remaining trials are with Swiss Null B.

    The second Siler is a workhorse. It has been used for testing purposes since 1986. It has probably been fired 5000 times with all sorts of flints and powder. Practically all of my experiments and articles used this lock. Jim Chambers has given me incredible support with this lock.

    Our video contains three firings with the workhorse Siler, two with Null B and a final one with Goex cannon.

    https://youtu.be/U99DADs9UYw

  • Rifling a Barrel – Friendship Fall 2014

    Rifling a Barrel – Friendship Fall 2014

    During the first weekend of the fall 2014 shoot, Bill Hoover and his friends did a demonstration of rifling a muzzle loading rifle barrel.  While Bill’s rifling machine can cut multiple grooves, today the machine was set up to cut five grooves and a progressive or gain twist.  In this set up the twist varied from 1/68” to 1/34” in a 42” barrel.

    2014-09-14 10.44.26 As we talked, Bill and Philip Iles worked on the machine.  Philip would pull the cutter through a groove 10 times. Bill would then re-index the machine and clean the cutter with thread-cutting oil.  After the cutter had been through each groove, Bill added a .001” steel shim under the cutter.  The process would continue until he reached .006-.007” deep.

    Bill’s cutters are made from taps.  Since the bore of this barrel is .465″,  a cutter made from a 1/2″ tap was used.  the result is a groove with a radius that matches the radius of the bore.

    2014-09-14 10.37.21

    Beside Bill’s rifling machine, John Kleihege was reaming a barrel on his machine. He had just finished reaming the rifling from an old rusty barrel. When his barrel was completely smooth, it would be ready for Bill to cut the rifling.  The photos here were taken while I talked with Bill as he operated he rifling machine.

    2014-09-14 10.39.36

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    2014-09-14 11.02.30 2014-09-14 11.15.44

    The cuttings from the rifling process.
    The cuttings from the rifling process.

    Larry Pletcher, editor, www.blackpowdermag.com

     

     

  • NMLRA 1 of 1000 Endowment

    NMLRA 1 of 1000 Endowment

    The NMLRA’s “1 of 1000 Endowment Program” was the brain child of former president Merrill Deer. He hoped to find 1000 members who would each contribute $1000, to support the NMLRA. The funds go into a restricted endowment fund.

    David Wright’s painting, “The Spirit of America” will be used to support the program in a variety of ways.

    David Wright’s talent is widely known, especially to those of us with a passion about America’s past. His many paintings virtually place us back in time as America unfolds. Sometimes the view is an everyday moment like his painting “Plumb Wore Down”, one of my favorites. Other times, his paintings give us a glimpse of monumental importance. “The Spirit of America” is such a painting.

    As chairman of the “1 of 1000 Endowment Program”, Robert Copner commissioned David Wright to create this work. Limited edition prints are reserved for new members of the endowment as they sign up. Others will be sold with funds going into the “1 of 1000 Endowment Program and the Association’s Education’s Building Fund.

    You can be a part of this:

    To find out more about the “1 of 1000 Endowment Program” and how you can take part :http://www.nmlra.org/

    To find out more about David Wright’s artwork: http://www.davidwrightart.com/

     

  • Flintlock Timing Part 3, MuzzleBlasts December 1992

    Flintlock Timing Part 3, MuzzleBlasts December 1992

    [box type=”note” align=”aligncenter” ]Reprinted from MuzzleBlasts December 1992 by Larry Pletcher —- This article is the third in a series of three reprinted articles that measure a flintlock’s ability to ignite black powder. This article deals experimental Siler flintlock components from Jim Chambers, riflemaker and vendor of black powder parts.[/box]

    Most of us, at one time or another, have wondered what factors cause locks to produce good results. Obviously, there are considerations which we have not been able to measure and maybe can never isolate. In this article, I would like to look at some factors

     

    Photo 1: The flint is just about to begin contact with the frizzen. Two thirds of the mechanical time is complete.

    which have not yet been measured. By experimenting with different modifications, perhaps we can identify some characteristics of successful locks.

    This month’s experiment was done with the help of Jim Chambers. He supplied me with a large Siler lock with replaceable tumblers and cocks. This gave me a chance to alter one variable at a time to see what change it would make. I was provided with the following:

    		a Siler lock assembled by Mr. Chambers
    		a stock Siler tumbler 
    		a modified Siler tumbler
    		a Chambers tumbler
    		a stock Siler cock
    		a Chambers cock

    (The mainspring needed to be repositioned depending on which tumbler was installed. Mr. Chambers modified the lockplate allowing this change to be made easily).

    With these parts to use, six possible combinations could be tested. I began by testing to see which way the flint bevel should be placed to work the best. The flint installed with the bevel up provided the best performance. Each test thereafter was done this way.

     

     

    Photo 2: This photo was taken .002 seconds later than Photo 1.

     

    Photo 3: This photo was taken .002 seconds after the previous one. The flint fragment located just below the flint in the photo demonstrates a variable always present – a constantly changing flint edge.

    As in earlier articles, testing was done with a measured amount of Goex 4Fg powder. (The powder had been stored at room temperature in a dry environment). The flint and frizzen were cleaned between trials. Flints were knapped when any noticeable change in operation developed.

    A series of 20 trials were conducted with each possible combination. The following chart provide a summary of trials:

     

    An examination of the charts leads to a number of conclusions. First of all, the modified Siler tumber (test 2,4) had a pronounced camming effect as the lock was brought to full cock. In fact, one had to practice finding the half cock notch. The Chambers tumbler had a camming effect to a lesser degree; the stock Siler tumbler had none. Since the difference in results 1,2,3 were so small, the camming effect may not add a great deal to the functioning of the lock.

    The Chambers cock seems to make a difference in the speed and standard deviation in these tests. Wile the tumbler does make a small difference, the first three combinations (in both speed and standard deviation) used the Chamber cock. This

    cock had a lightly longer throw than the Siler cock. The extra length seems to be achieved by lengthening the neck; the angle of the jaws of the cock does not appear to have been changed. Whatever the difference, the Chambers cock appears to be an improvement. If I were buying a lock from Jim Chambers, I would specify the modified tumbler and Chambers cock.

    The standard deviation in each combination seems to increase as the time increases. (Tests 1 and 2 were the only ones which did not follow that pattern). The standard deviation on tests 2 and 3 were very good. They would compare favorably with most locks today.

    In June of 1990, I attended the NMLRA’s Gunsmithing Workshop & Seminar held at Northern Kentucky University. One topic discussed dealt with position of sparks when a flintlock is fired. One instructor proved to us, using ultra high speed video, that sparks from a well-made lock literally coat the pan! Photo Number 4 demonstrates this phenomenon quite well. This photo is illuminated only by sparks produced by the lock. Note that the pan is white with sparks.

     

    Photo 4: Taken without any flash, this photo is lit only by sparks. It is safe to say that this lock puts the sparks in the right place.

    Another spark phenomenon discussed was a secondary burst. The spark appears to fly away only to burst into three or four new sparks. This can be seen in two of the photos.

    Measurements from the photos can be used to determine the speed of the flint as it travels down the frizzen. Using photos 2 and 3, I measured the distance traveled during the .002 seconds that elapsed. I set up a proportion to convert distance to the scale of the lock. This gave a flint speed of 24.2 feet per second. By measuring other locks in the same way, perhaps we can determine how much effect flint speed has on spark production.

    As I have stated before in other articles, I think we are just scratching the surface in learning what makes locks work well. There is much to learn. As before, suggestions are welcome and may be sent to 4595 E. Woodland Acres, Syracuse, IN 46567.

  • Tom Schiffer Discusses all Things Muzzle Loading

    Tom Schiffer has been a fixture around Friendship for many years. It’s fun to hear fellows like Tom talk about the “old days” when business was conducted out of the trunks of cars.

    Tom Schiffer Interview, Friendship 2006

    I’m reminded of the fabled gun writer who wrote the book “Hell, I Was There”. Tom truely was there. In the interview Tom talks about his first muzzleloader and his experience firing the first shot. Tom also discusses the additions to shooting over the years and one of his favorites, the long range silhouettes. He mentions his friendship with Bill Roberts and Bill’s contributions to long range shooting.

  • Dan Kindig Interview

    Dan Kindig Interview

    Dan Kindig, past president and long time Friendship attendee, discusses the old days. Dan Kindig has been a fixture for years. His booth hasn’t moved since I first came in 1977.

    Dan Kindig Interview from Friendship – Spring 2006

     

    Dan was a lot of fun to speak with. His Friendship experiences go back to his visits as a young boy when his father came. He has many stories about the early days. He can relate experiences as a shooter, president, and as a boy playing along the creek. He is one of “the sources” for all things related to black powder. As we taped the interview, the loud speaker came on to announce the noon menu. I told Dan I’d edit that out, but he said, “Oh no, that reminds me of the meals we used to eat made by the church ladies.” And suddenly we were back 60 years with another view of Friendship. Sounds like good times.

    Visit Log Cabin Shop’s website www.logcabinshop.com

  • The Eight O’clock Turtle

    The Eight O’clock Turtle

    I didn’t meet the eight o’clock turtle until the 2014 Spring Shoot. He was probably there for years, but I never looked for him.  He seems to live under the bridge at the entrance to the NMLRA grounds.  I saw him first on Saturday morning at 8:00 am.  (Wait, he may be a she. I don’t know, but from here on the eight o’clock turtle will be a he. )

    He was sitting in the shallow water at the southeast corner of the bridge.  His shell was maybe 9-10 inches front to back; pretty big for a painter.  He was motionless with the top of his head just above the surface.   I took his picture and went on my way; I had people to meet and figured I wouldn’t see him again.  An hour later, when I went back to the camper he wasn’t there.  I crossed the bridge a number of times later in the day, but he was gone.

    Eight O'clock Turtle

    The next day I happened by the bridge about 8:00, and there he was.  He was in the same spot, motionless, with his head just breaking the surface.  I began to think this was part of his routine.  At 9:00 he was gone.  Maybe that was part of his routine too.

    I looked for him at 8:20 the next day, but he wasn’t there.  He only came by at 8:00.  I never saw him after that.  I couldn’t seem to hit his narrow schedule.  I never saw him arrive or leave. I only know that at 8:00 AM he was there.

    I related the eight o’clock turtle’s story to campers near us at an evening campfire.  A friend told me she saw him at 8:00 one morning too.  Between us, we had three sightings, but all were at 8:00 in the morning.  Where he spends the rest of the day, we don’t know.

    With the spring shoot over, I won’t have a chance to check on the eight o’clock turtle for some time.  However, I plan to be at the bridge on the opening day of the 2014 Fall Shoot at 8:00 AM.

    (This turtle story takes me back some 30+ years when my son, Kevin, went with me to Friendship.  We saved a box turtle on the Friendship Road on that trip and others on successive trips.  Kevin still remembers the box turtle but couldn’t go to Friendship this year, so he missed the eight o’clock turtle.)